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this
45rpm single is especially made for promoting the
forthcoming album soul saviour stew.
salt pop corn, originally recorded
by manu dibango in the early 70s,
is only available on this 45 - not on the vinyl
lp.
--
salt pop corn
soul saviour stew |
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the
blue bottles were founded by guitarist
matt taylor, drummer stephen russell and bassist
dan lott in 2011. the concept being to play no-nonsense
heavily percussive raw funk, aimed directly at the
dance floor but with songs and melodies that will
lodge in the skull and refuse to jettison.
the
band have a shared love for all the great 60/70s
funk classics – lee dorsey,
james brown, betty davis,
and so many others. but don’t mistake the
blue bottles for a retro styled bunch of suit wearing
imitators – with a diverse range of musical
tastes and backgrounds, the band have been variously
described as 'the mc5 playing funk’.
--
come to this
we can do better |
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the
tibbs were formed in the early summer of
2012. started as a cult act, playing obscure instrumentals
and long forgotten memphis and northern Soul classics,
they soon felt the urge to expand the repertoire
with their own songs. the result: a surprising,
exciting mix of heartfelt originals.
with a lineup of drums, bass guitar, lead guitar
and hammond organ, a three-man horn section and
the feisty vocals of frontwoman elsa bekman,
the tibbs amount to seductive garage soul with a
dash of blues, funk, jazz and surf.
--
footprints in the sand
cleaned out |
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the
eminent stars were founded by saxophonist
ben mendes and drummer toon
oomen. they both share the love for the
great music emerging from cities like new orleans
in the 60's and 70's: dr. john,
freddie king, the meters
and many more! just mix up some soul, rhythm &
blues, funk and blues and there you have it: a record
that consists of authentic elements:
it's danceable, intriguing, vibrant and fresh!
then the moment arrived when toon & ben planned
a recording session in a rusty old farm in the middle
of the french ardennes. here the basis-recordings
for the new album sittin' in found
place: all live, together in one big old dusty room,
all vintage equipment was brought down there. Just
to capture the authentic sounds & vibes of the
songs. soon the great american singer-songwriter
bruce james joined the team, later
other vocalists including steffen morrison.
all blending in with the eminent stars!
--
the club
hearts are jumping |
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the
aries vibration is the brainchild of funk
& soul dj/producer & multi – instrumentalist
andrew gillespie. a ndrew lives
in gloucester city, in the southwest of england,
and has been recording music for 8 years. the first
7”single by the aries vibration was the self
released: you gotta get up (to get on down)
on sheebob records (500 copies)
back in 2007. after years of collecting records
on the tramp label it is an honor to now be a signed
artist on the TRAMP label. this latest offering
from the aries vibration is a cover version of the
very rare funk 7” by the corvettes
– I want to know do you love me
and features a new line up of musicians and a vocalist
from washington, dc named michael roach,
now living in cheltenham in the the uk. 500
copies pressed.
--
I want to know do you love me |
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the
mighty mocambos out of hamburg
released many fantastic albums and 45s over the
last couple of years. gizelle smith
was the lead singer on their debut album. for their
second long-player (the future is here)
they teamed up with different vocalists, one of
them being french singer caroline lacaze.
in may 2013, the mighty mocambos were backing miss
lacaze for her debut album en route.
physique is not taken from the
aforementioned album though, but was released on
the future is here. it has been
a club favourite for the tramp crew since its release.
therefore it was only a question of time when they
would ask the mocambos to get the permission to
put it out on 45. although releasing it took longer
than expected, the worldwide soul & funk community
can finally enjoy this wonderful track along with
a sweet soul instrumental on the flip. 500 copies
pressed.
--
physique
a brighter darkness |
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it's
great to see that more and more quality soul and
funk bands arise from different countries all over
the world. even more exciting is the fact that little
hungary has to offer not only the qualitons
but another band with much potential. I am speaking
of dokkerman & the turkeying fellaz
which are responsible for this beauty. also from
budapest, the nine piece band delivers exactly that
raw and dirty old-school sound of the late sixties/early
seventies which we here at tramp records love. both
sides of this 45rpm single are hard grooving funk
cuts, spiced up with afro and jazz elements. while
broken is a slow burning track,
the flip side titled plan b is
completely the opposite, an uptempo dance floor
bomb.
be quick, 500 copies pressed only!
--
broken
plan b |
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these
two brand new tracks are perfect examples of what
you can expect from their forthcoming second long-player.
the nasty funk sound of rolling the bones
features los angeles native andy hefler
on vocals. the afro-soul b-side, titled fülcimpa,
reveals the progress the band has made since their
last recordings.
two years of patience was well worth the trouble.
the qualitons are ready to delight
us again! watch out for their forthcoming second
long-player, soon to be released on tramp records!
--
rolling the bones
fülcimpa |
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spiritual
vocal jazz of the highest order! the 11th release
in the JAZZ DANCE SERIES comes
from deep jazz, one of the finest
bands on the munich jazz scene.
band leader and bass player jerker kluge
is deeply rooted in the jazz music of the 1960s,
as released on legendary labels “impulse”
and “blue note”. the core of his new
album is the spiritual and modal jazz from this
era, but of course kluge´s own musical ideas
and influences are added, creating a special musical
cosmos that is additionally spiced by the individual
talents of the involved musicians.
their debut 45RPM single features the roland kirk's
original spirits up above backed
by kluge's own composition no doubt.
Both tunes feature the phenomenal voice of julia
fehenberger who is best known for her work
with the boogoos and their now
classic interpretation of the art ensemble of chicago's
theme de yoyo!
--
spirits up above
no doubt |
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after
their first 45rpm single release on tramp the guys
from diazpora are back with two
tasty instrumental funk sides. taken from their
second long-player "session II", non
sports as well as kate
are monster tracks which will certainly rock dance
floors all over the world.
non sports starts with an open drum break
accompanied by a funky-ass bass line. after the
intro the song turns into a real party groover with
a guitar break that will people make clap their
hands.
kate is just the perfect track for the
b-side. The tempo is slower but the heavy wah wah
guitar groove and back and forth solos of baritone
and tenor saxophone pushes the whole thing to another
level.
as all tramp 45RPM singles these two songs are vinyl-only
releases. help to save the black gold and purchase
the 45 quickly. it is limited to 500 copies anyway!
--
non sports
kate |
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for
the last 10 years or so the iconic blend of african
folk, american jazz and funk, and percussive horn,
drum and chant oriented music called afro beat has
experienced a grand revival. dozens of new bands
worldwide consciously carrying the legacy of fela
kuti into the new century. jaribu afrobeat
arkestra is one of those new bands on the
scene. spiritually influenced by the great fela
kuti, “jaribu” which means “try”
in swahili, have created their own “neo afrobeat”
sound, interweaving traditional afro beat with funk
and jazz sounds. after the release of their debut
album entitled afro sound system
(2009) they started to search for ways to expand
and develop their sound and began recording their
second album, mediacracy.
this 7“ contains special dj edits of tricky
liars and afro soul knows.
the full versions can be enjoyed on the aforementioned
album on 2LP, CD and digital download. both tunes
of this 7" are vinyl-only
which means that they will not be released digitally!
limited to 500 copies.
--
tricky liars
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it is
likely that some of you are already familiar with
derobert & the half truths.
after releasing some 45rpm singles on their own
g.e.d. soul records label they finally released
a full length album entitled soul in a digital
world. sad but true, it has been released
on compact disc only. real djs never had the chance
to play out songs from that album. that was the
main reason why we decided to put out two of the
best tracks on vinyl. take me out of the
dark is a deep-funk belter with an unusual
drum pattern. don't worry, it works wonders on the
dance floor. the flip side titled the joy
shows their other, soulful side.
a limitation of 500
copies and an excellent sound quality ensures
demand between funk and (northern) soul collectors.
be quick and play it out loud!
--
take me out of the dark
the joy |
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diazpora
hails from hamburg, germany, consisting of a bunch
of young fellows who are proud to present their
debut on tramp records. although they have privately
released a couple of albums, this is their first
45rpm single release. seven up
has been originally released on a previous album.
however the version to be found here is a live version
recorded at a small street festival in hamburg in
september 2010. the drums and the bass simply kick-ass
(imagine it is a double-bass!) the decent work of
the guitar player fits just perfectly and the solos
of both trumpet and saxophone brings the whole tune
to another level.
as on all tramp 45rpm singles
these two songs will not be released digitally.
save the vinyl and play it out loud!
---
seven up
strutosphere |
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here
is something fun from a recent session I composed,
co-produced, arranged, engineered and performed
on. seattle washington, usa. september 15th, 2010.
the working session name is t.d. & the jimmy
james 3 or we might go with the mosquitohawks
I was experimenting with how far I could push the
drum and guitar channel through this weirdo amp
I had laying around. as usual, I dug into my stash
of noname mics turned to my trusty cassette 4-track.
drums went thru the same "moneymaker"
mic as in the crawdad farmers and chez jojo
sessions. I am pretty happy with the results. I
think we got the good vibes.
a different version of jalapeno pep is available
on the feeling nice compilation (tr-9012)
which has been released on tramp in june 2011.
---
mosquito eater
jalapeno pep pt.2 |
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since
his first 45 rpm single release on tramp (tr-1012
don’t go away / the fresh one) lucky brown
has steadily been improving his sound/production
and became a very important part of tramp records.
this time he performs under a pseudonym again which
does not mean at all that the quality of the recording
differs from his recent output. in fact, the crawdad
farmers recordings (actually lucky brown and
his band) gets more and more used to delivering
authentic funk which not many bands come up with
these days. the way he records his songs seems to
be simple, but as soon as you try to do it the same
way you realize that it is not simple at all. it
takes a whole lot more than just placing mics in
the right places and to having the proper equipment.
what you need is something else, it's called SOUL!
and lucky brown definitely has a lot of it!
redbeard and jesse’s party are released
just in time for the summer of 2010. either you
play it at your private bbq or a packed dancefloor,
people will go nuts for it for sure. be prepared
for more raw funk and soul music from lucky brown,
his debut longplayer is in the making and will hit
the streets soon!
---
redbeard
jesse's party |
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white label = ltd. dj issue
(100 copies)
green label = regular issue
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the
story of the qualitons began in 2007 when
dj/producer kanada káosz decided
to put together a funk/soul/afrobeat band. he
went to dozens of concerts to hand-pick musicians
for this project. this is the way the qualitons
were born. the band were named after the living
memory of the former hungarian recording company
"qualiton" - a record label which existed
from the late 50s up to the 70s.
the a-side of this single, the heavy beat-influenced
c'mon baby (get heavy with me), is a perfect
example of their unique style they have developed
over the years. drummer hunor g. szabo
is not only playing his instrument but also delivers
the vocals along with the entire band.
on the b-side you have margit,
a 2 minutes and 41 seconds lasting funk instrumental
with a roaring bass-line of deepest intensity.
the sound and production of this gem is another
proof for the bands ability not only to imitate
but develop the golden sound of the 1960s.
---
c'mon baby
margit |
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the
band was named after the living memory of the
hungarian recording company "qualiton"
- a label which exsisted between the late 1950's
and 1970's. those records were able to bear the
spirit of the eastern block along with the western
impacts of the language of dance music. the band
was founded to cultivate the musical heritage
of the authentic instrumental sounds of those
ages.
mellbimbo, the title track of their second
7inch on tramp, is a stone-cold killer from beginning
to end. the band members show once again their
skills on each instrument, especially Matyas Premecz
gets down on the organ. for this recording they
assembled a bright, tight horn section which arrangement
is obviously influenced by the psychadelic afro-sounds
of the 1970s.
kulmi with its hypnotic
midtempo groove is another original composition
of the band. Barna Szoke is grooves along on his
guitar, using the wah-wah pedal in a very decent
way. drummer Hunor G. Szabo does a great job too
and even delivers a short but tight drum break
right after the bridge.
---
mellbimbo
kulmi |
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tramp
records' third release in the recently established
JAZZ DANCE SERIES is not a re-issue from
back in the day but a jewel from a new band which
has been featured on the contemporary jazz
compilation released earlier this year.
the cultures of rhythm,
a new york based collective of experienced young
players from a variety of musical backgrounds,
brings many influences to their sound. comprised
of current and former members of the duke ellington
orchestra, french kicks, isley brothers, mofro,
and kevin jones and tenth world, diversity is
the groups greatest asset. with so many perspectives
represented, the players find common ground on
a fundamental level, and the resulting musical
explorations are a celebration of soulfulness,
distilled into exciting new forms.
fronted by noted trumpeter
and new orleans native kevin louis, the groups
members are steeped in the jazz, soul, blues,
and american songbook traditions. playing from
deep within the history of their instruments,
they stroll, strut, and dance through swing, jazz,
second line, blues, funk, boogaloo, and rock.
organist adam scone wrote big shrimp
while monday child is an original composition
by louis armstrong.
---
big shrimp
monday child |
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